Ihor Holubizky has written on a wide range of cultural topics over the past twenty years. His personal favourites include Natalka Husar, Black Seen Blue (Rosemont Art Gallery, 1994), a collaborative fiction with Wendy Mansell; Margaret Priest, As Scale Diminishes ... (Art Gallery of Hamilton, 1996); Luke Roberts, The Mother Road (Institute of Modern Art, Brisbane, 1999); First Stop on the Translinear – A Wilderness Station (McMaster Museum of Art, 1999); and I Love a Man in a Gas Station Uniform (Art Gallery of Peel, 2001). He also takes pride in a ramming speed, a 1995 independent CD of live and improvised pop and non-pop compositions with Brian Skol and Dianne Bos.